The
Elian Saga, Digital
Image, 11" x16" (Limited Edition of 150)
Nicholas Poussin painted the Judgment of Solomon
in 1649 ( 39 3/8" x 59," the Louvre, Paris).
When I saw a reproduction of this painting in an art history book, it
reminded me of the struggle between Elian Gonzalez's Miami relatives
and his father, Juan Miguel Gonzalez, of Cardenas, Cuba. Two governments
became involved: the United States and Cuba. Many people, especially
in Miami and Cuba, seemed to have an opinion regarding what the fate
of Elian should be and where he should live. No fair solution to the
problem of this 'miracle child' who survived the treacherous trip from
Cuba to the United States on an innertube in 1999, losing his mother
during the journey, and having been symbolically rescued on Thanksgiving
Day, was apparent. Passions were high on both sides of the issue. The
situation reminded me more and more of the dilemma of Solomon, that
of trying to place a child claimed by two different mothers, with the
rightful parent.
To illustrate my point, I appropriated Poussin's image, flopping it
horizontally, and replacing the faces of the individuals in the original
image with those of some of the major characters in the Elian Saga,
using Photoshop 6.0. From left to right the characters represented are:
Elian's baby half-brother; the second woman to his right is Elian's
grandmother; to her right, Reverend Joan Brown Campbell, who was Juan
Miguel's advisor while in the United States; Fidel Castro, the Cuban
dictator; and in the yellow robe, Juan Miguel Gonzalez, Elian's father.
Elian's stepmother is represented in the front left center, holding
a dead child( symbollic of those who have died on the dangerous trip
from Cuba to Florida, seeking political freedom and hoping for financial
opportunities). Janet Reno sits on the throne of Solomon, as the person
who has the most power to decide Elian's fate. Marisleysis, Elian's
surrogate mother in Miami, pleads for his freedom to remain in the United
States, as Elian is held upside down from a foot in the grasp of the
soldier who forcefully took him from his Miami domicle on Good Friday
in the year 2000. Donato Dalrymple, one of the 'fishermen' who rescued
Elian, is in the shadows of the background, along with Elian's Miami
guardian,. Granduncle Lazaro Gonzalez. To the far right, Florida Governor
Jeb Bush is portrayed trying to disassociate himself from this political
'no-win' situation.
Site
last updated May 2001
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© Aletagraphica 2001, Miami, Fl. USA